(Ramanujan died in Chennai from tuberculosis in 1920 at the age of 32.) A previous Tamil biopic, Ramanujan (2014), was a clumsy but sincere effort to locate Ramanujan in the Tamil soil, and it covered his hardscrabble childhood in Tamil Nadu, his inability to pass college-level examinations because of his obsession with mathematics, and his growing fame in Madras that encouraged the local gentry and British officials to sponsor his travel to Cambridge University¸ where guidance, unlikely friendships, fame and illness awaited him.
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Forged in India, finished in Cambridgeīased on Robert Kanigel’s biography The Man Who Knew Infinity (the author is also one of the producers), the film focuses on Ramanujan’s years at Cambridge and his attempts to fit into a predominantly white world. Irons gets close to Hardy’s depth and wisdom, but Patel’s wide-eyed earnestness, which has remained unchanged since his movie debut in Slumdog Millionaire (2008), reduces Ramanujan to a class topper rather than an intellectual giant for the ages. Jeremy Irons steals the show as the patrician and charming Hardy who receives as much as he gives. Dev Patel is miscast as the driven but emotionally tangled Tamil Brahmin who oscillated between ambition and family demands his entire life. This difference has much to do with the actors playing the roles.
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GH Hardy, Ramanujan’s mentor and collaborator, emerges as a rounded and compelling character, whose atheist values and firm belief in cold logic initially prevents him from understanding his protégé’s talents. Matthew Brown’s 109-minute drama is less about “the man who knew infinity” and more about the man who pointed him in the right direction. His theorems continue to perplex and excite researchers, and his singular life story continues to evade the limitations of the mainstream biopic genre. Srinivasa Ramanujan, the subject of several books, documentaries and a Tamil movie in 2014, remains an enigmatic cipher. Even though The Man Who Knew Infinity is dealing with one of the most unorthodox brains in the field, it does little to challenge the orthodoxy of the mathematical drama. Such films often reduce complex mathematical theories and complex personalities to simple calculations. Movies about mathematics invariably contain scenes of a tense and fevered genius scribbling numbers on a blackboard to the general befuddlement of everybody around him. Watch: Opera singer pauses during song, student joins in from the audience to fill the gap.‘I’ll talk in Tamil henceforth, let me know if you can understand’: DMK MP Kanimozhi in Lok Sabha.Interview: Omicron won’t be a lot more dangerous than the other circulating variants of Covid-19.
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